Othello As Leader

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Othello As Leader Essay, Research Paper

William Shakespeare presents an excellent leader but a poor reasoner in Othello.

The eponymous hero has strength, charisma, and eloquence. Yet these ideals of

leadership do not bode well in real world situations. The battlefield and Senate

are, at least in Othello, depicted as places of honor, where men speak truly. In

addition, the matters of war and state are relatively simple; no one lies to

Othello, all seem to respect him. He never even has to fight in the play, with

the enemy disappearing by themselves. This simplistic view does not help him in

matters of the heart. His marriage is based on tall tales and pity and his

friendships are never examined; he thinks that anyone who knows him love him.

Thus the ultimate evaluation of Othello must be that, although he leads well and

means well, he lacks good judgement and common sense. This becomes most plainly

obvious in his final two speeches, where even though the play ends properly, and

in a dignified way, Othello never fully realizes or takes responsibility for

what has happened. These two last orations of Othello are noble in speech and

purpose, but lack comprehension. He uses the first to attack himself for his

horrible deed; certainly this is the first reaction of anyone who has wrongly

killed his beloved. He delivers condemnation upon himself with eloquence and

anguish. The latter speech he gives in his final role as a leader, directing the

men who remain about how to deal with what has happened and showing them he has

purged the evil. In his initial self-loathing and remorse at realizing the truth

of Desdemona’s innocence, Othello is genuinely anguished. "This look of

thine will hurl my soul from heaven, / And fiends will snatch at it."

(V.2.325-326) It is clear that he is in torment because of her death, and

because he himself did the deed. For the first time, it appears that Othello is

at a loss with what to do with his power: "Do you go back dismayed? / Man

but a rush against Othello’s breast / And he retires." (V.2.320-322) Giving

up is hardly Othello’s style, but this is how a noble and true man should react

when he has mistakenly killed his wife. However, Othello’s words give a deeper

insight into how he still misunderstands the situation. "Who can control

his fate?" he asks, which gives pause to a theory of pure nobility. Placing

responsibility in the stars – he calls Desdemona an "ill-starred

wench" – is hardly a gallant course of action. (V.2.316, 323) It is beyond

a doubt Othello’s fault that all of this wreckage befalls him, and his still has

not had a moment of recognition of his failures at reasoning and understanding.

Indeed, it is Othello’s final soliloquy that ultimately seals his fate as a man

who lacks critical thinking skills. This is because these are his final words,

and they deal with fact, not emotion. He addresses the reasons behind his

downfall, and decides how he wants others to see him, in terms of the story and

how he takes responsibility for it. It is a noble speech, and a dubiously noble

ending, but still, like Othello, flawed. The setting for Othello’s final moments

onstage is critical to how it is perceived by Othello, the other players

onstage, and the audience. It lends credence to the nobility of the situation,

and adds to Othello’s misguided self-perception. The experience, in itself, is

perfect. The day is slowly breaking as the first strands of light are filtering

through the shutters on Othello’s bedroom windows. Othello has moved out of the

darkness he was sitting in when he began his first speech, and while standing in

light, speaks of how he has been enlightened of what occurred. He holds back the

company of men who seek to take him to prison or worse with a hand and

"Soft, you." With this he also silences the sounds around him, and

delivers a noble address, in the light, standing tall. It is an ending suitable

for the most dignified of men. And yet, for all the splendor, glory, and

excellence of tongue, his final words show that he does not quite understand

himself or what he has done. His goal is to tell the emissaries from Venice what

has happened, but he lacks insight in his articulation. Every step of his short

recitation reveals an inaccuracy or a blinding of a personal problem. Othello

says he "loved not wisely, but too well." (V.2.404) It is true that he

did not love wisely, but neither did he love too well. His marriage is based on

storytelling and pity; he objectifies his wife at every point, and does not

trust her in the least. And while it might be debatable whether Othello is

"easily jealous" or just gullible, he does buy Iago’s tale of deceit

based on a handkerchief and words. (V.2.405) This is all Othello says in

relation, besides a description of his tears – which, no doubt, are real and

genuine – and begins to set up his suicide. Othello blames not his rashness or

judgmental faults, but rather condemns his hand for the sin he commits ("of

one whose hand, / ? threw a pearl away"). (V.2.404) This idea that his

body is somehow possessed with evil, but not his mind, is perpetuated in his

last words: And say besides, that in Aleppo once, Where a malignant and a

turbanned Turk Beat a Venetian and traduced the state, I took by th’ throat the

circumcised dog, And smote him, thus. Othello truly believes that a malignant

Turk has taken over the good Venetian within him. He still does not see that his

faults are exploited by Iago and used against him. Although he kills himself in

such a dignified fashion, Othello is really thinking that he was forced to do

this by some unseen evil power. He never has any complete sense of tragic

recognition. Shakespeare sets up Othello as his perfect leader: no one ever

questions his ability to conduct an army (because he does not engage in combat

during the play, this opinion must be drawn from the lack of negative sentiment

from anyone in the play). He speaks well, and is widely respected. But the

skills that make a good general are only applied with problem in his civilian

life. Othello never asks questions of those who might be against him; instead,

he believes only what is told him by those who come to him first. He believes

men over women, and never thinks too deeply or critically about anything. He

must be decisive, and therefore he refuses to question. It is possible to see

Othello as a good man who never is betrayed until Iago, as a noble and strong

soldier who falls only because Iago is so cunning and evil. One might say,

because of this, Othello dies not as a tragic hero, but as someone destroyed by

circumstance and evil. But the superficiality of his marriage and the fact that

if he had only been honest to his wife and lieutenant he would have found out

the truth point in another direction. Othello could lead, but he could not

reason.

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